Every year when the Magnolia Awards announce their winners安信策略, controversy inevitably follows. This year was no exception as the 30th Magnolia Awards results were freshly revealed.
Best Supporting Actress went to Jiang Xin and Best Supporting Actor to Jiang Qiming, both widely expected choices who delivered performances rivaling those of the leads. Jin Dong’s Best Actor win was also anticipated, given his solid acting skills and the meaningful themes of his work.
展开剩余93%However, the Best Actress category stirred the most debate. Although Song Jia claimed the award based on undeniable talent, Liu Yifei, who was the runner-up, generated far more buzz on the night—leading to widespread ridicule. Rumors quickly spread that Liu Yifei, unhappy with losing, chose to boycott the ceremony out of spite.
Despite fans attempting to spin her absence as a queenly act of pride and strength, calling her stand “unyielding,” industry insiders saw it differently. Acting is a lifelong career marathon—a journey of ups and downs over decades. By prioritizing face over substance that night, Liu Yifei was criticized for being unable to handle defeat gracefully. Though venting her frustration may have felt momentarily satisfying, it likely cost her future chances at prestigious awards.
In stark contrast, fellow 85ers like Zhao Liying, Yang Zi, and Yan Ni demonstrated remarkable professionalism and maturity. When missing out on the Magnolia Award, they didn’t create scenes or make a fuss. Zhao Liying, in particular, set a strong example: she respected the rules, showed up punctually to the nomination banquet despite knowing she was a front-runner who wouldn’t win, and quietly accepted the outcome even when the award went to Wu Yue—captured in a rare moment of restrained disappointment.
Zhao Liying’s dignified response extended to social media, where she pledged to keep working hard, embodying grace under pressure. This attitude preserved her reputation in the industry and paved the way for her triumphant win at the more prestigious Flying Apsaras Awards a year later. Following that, the Golden Eagle Awards unsurprisingly honored her as Best Actress, completing a celebrated double crown that fans celebrated joyously—true redemption and a deserved victory.
Compared to Liu Yifei’s impulsive absence安信策略, Zhao’s composed demeanor reflected a broader professional wisdom—an industry respect far outweighing a single moment of pride. The current Magnolia Best Actress race was a high-level competition, with heavy hitters like Song Jia, Ma Yili, and Yan Ni all in the running. From the moment Liu Yifei learned of her nomination, she should have realized her role was more about drawing attention and boosting ratings—a common pattern in recent years.
Her international career setbacks left her in a precarious spot in China’s entertainment scene, struggling to match her star power with tangible achievements. This may explain her eagerness to leverage Magnolia’s inclusive policies that welcome non-Chinese actors. She ramped up the hype, touting herself as the “front-runner” with multiple so-called “preliminary Magnolia awards” she claimed to have won—a completely fabricated concept that misled many and created an illusion of inevitability.
Adding to this, she even skipped a Louis Vuitton event to attend the nomination banquet, fueling speculation of a guaranteed win. Yet, just before the ceremony, once it became clear she wouldn’t be crowned, she abruptly left, damaging her professional image. This last-minute snub offended the organizers and cast a shadow over her future prospects at major awards.
If Liu Yifei hopes to pull off a Zhao Liying-style comeback, she might have to aim much higher—perhaps even setting sights on the Oscars. Her recent behavior, however, falls short compared to younger actresses like Yang Zi, who despite being used by Magnolia for promotional purposes, maintained a humble and realistic attitude. Yang Zi openly stated she did not expect to win and was there primarily to learn.
Her sincerity earned her respect and a prominent spot in official Magnolia media coverage. The awards committee has expressed a willingness to support emerging talent, and though Yang Zi’s current work in period dramas faces stiff competition, her shift towards serious roles signals that her winning moment is approaching.
By showing up and supporting the event, Yang Zi strengthened her industry relationships, setting herself up for future opportunities. Her rapport with fellow nominees was warm and friendly, dispelling any notion of backstage rivalry and instead resembling a genuine sisterhood. With her upcoming drama “Jinxiu Fanghua” about to air, the Magnolia nod boosts her project’s prestige and commercial prospects—a win in its own right.
In stark contrast, Liu Yifei’s demeanor and choices cast her in a less flattering light. This year’s Magnolia Awards, aside from Song Jia’s commanding win, also saw Yan Ni’s popularity soar, especially for her relatable role in “The Alley Neighbors.” The atmosphere was relaxed and jovial, with Yan Ni even sharing a playful on-stage moment with her co-star Wang Anyu, creating memorable entertainment rivaling even Spring Festival Gala skits.
Before the ceremony, false rumors circulated online that Yan Ni might snatch the Best Actress title, raising expectations. Yet when Song Jia was announced as the winner, Yan Ni was genuinely happy, offering a handkerchief and a warm smile from her seat behind the winner. Fellow actresses Ma Yili and Wan Qian also applauded enthusiastically, showcasing sincere camaraderie without any signs of jealousy or bitterness—an authentic display of mutual respect and celebration.
This heartwarming scene, hailed as the “Magnolia Awards’ iconic photo,” contrasted sharply with Liu Yifei’s absence. Song Jia’s acceptance speech was a powerful testament to female solidarity—using “we” instead of “I” to emphasize collective strength, courage, and resilience. Facing such formidable opponents, Liu Yifei’s inability to reconcile with the outcome only underscores what she lost.
As always, an acting career is a marathon, not a sprint. Overemphasizing momentary pride can cost both dignity and long-term respect. Those who miss ceremonies leave others to manage the aftermath.
In Liu Yifei’s case, the only ones who could defend her were the screenwriter Li Xiao and producer Wang Si of “The Story of Rose.” When Li Xiao accepted the Best Screenplay award, he took the opportunity to praise Liu Yifei as the soul of the drama, crediting her as indispensable to the creation of her character “Huang Yimei.”
In the end, success in showbiz depends on vision and character. Without the strength to overturn the table, the wiser choice is to quietly build your strength and take your seat at the table when the time is right.
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